KORG Gadget for Nintendo Switch - Online Manual

Gadget Guide

Main Parameters

Oscillator / VCO

Oscillators are responsible for creating basic sound waves.

A variety of oscillators are available for the creation of basic waveforms such sawtooth waves and square waves, PCM waveforms appropriate for the reproduction of acoustic instrument gadgets, and VPMs that make it easy to create brass instrument gadgets.

Filter / VCF

Filter reduce or enhance certain ranges of the sounds produced by oscillators to create a more distinctive tone. Filters can include low pass filters that cut the high frequencies to produce a soft tone, high pass filters that cut out the low frequencies to create bright tones, and bandpass filters that reduce only specified frequencies.

Amp / VCA

These are used to set the volume, pan, etc.

These amplify the sound created by oscillators and filters.

Envelope Generator

Sounds tend to have a fixed volume curve.

For example, when a piano key is struck it is suddenly loud, and then it slowly dissipates. When you release your finger from the keyboard, you will hear a bit of reverberation. Such a curve creates the distinctive sound of each instrument. Such changes can also affect the tone and the pitch of the sound as well as the volume. It is an Envelope Generator that produces these changes.

There are EGs that filter the tone color, and EGs that act as amplifiers to change the volume.

LFO (Low Frequency Oscillator)

An LFO oscillates the low frequencies. This effect is commonly used to apply vibrato (use an LFO to adjust the pitch up and down), apply a “wah” effect (use an LFO to move the tone color up and down), or to create a tremolo effect (use an LFO to move the volume up and down)

Effect / FX

A variety of useful functions can be used to apply various acoustic effects such as distortion, swell, and echo to the sound. You can make the sound completely different from the original sound, and you can also achieve a wide stereo effect.

Synth Gadget

Marseille

Berlin

Chicago

Phoenix

Miami

Wolfsburg

Brussels

Dublin

Kiev

Chiangmai

Helsinki

Kingston

Kamata

Marseille

With its workstation-like looks, this polyphonic synthesizer gadget offers a broad selection of standard keyboard sounds, brass, strings, and synth sounds. When you need a piano or electric piano, this gadget will deliver. There’s a “Chord” function that lets you produce chords of the scale you specify, making it simple to create a chord progression with no wrong notes.

PROGRAMS
Tap a program name to select it. Using the category buttons on the left, the programs in each category can be displayed.

OUTPUT

LEVEL
This sets the volume.

ENVELOPE

ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.

SUSTAIN
This sets the sustain level.

RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

EFFECTS

FX SELECT
Select the effect to be applied.

EFFECT TYPE
This selects the effect type.

EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.

EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.

CHORD
This turns the global chord function on or off. When this is turned on, chords along the specified scale can be played.

Berlin

This is a synthesizer gadget with a classical design that’s optimized for lead sounds. It provides a sync oscillator that can generate complex overtones, delivering diverse sounds with a sense of modulation.

PORTA.
This sets the pitch glide speed.

BEND
This sets the pitch bend.

VIB.
This sets the pitch bend.

VOLTAGE CONTROLLED OSCILLATOR

PITCH
This adjusts the pitch that produced by the oscillator.

WAVEFORM
This selects the waveform of the oscillator.

BALANCE
This adjusts the pitch balance of the tone.

MOD
This sets the depth of the modulation for the oscillator.

TONE
This adjusts the tone of the oscillator.

EG/LFO
This selects EG or LFO as the sync modulation source.

ENVELOPE GENERATOR

ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time until the level becomes 0 after the attack level is reached.

LOW FREQUENCY OSCILLATOR

SHAPE
This selects the LFO waveform.

FREQ
This sets the LFO frequency.

KEY SYNC
If this setting is On, the LFO will be reset at each note-on.

TEMPO SYNC
If this is On, the LFO frequency will synchronize to the tempo of the song.

VOLTAGE CONTROLLED LOW PASS FILTER

FREQ.
This sets the cutoff frequency of the filter.

RESO.
This sets the resonance of the filter.

EG
This sets the depth of the modulation where the EG1 will affect the cutoff frequency.

LFO
This sets the depth of the modulation where the LFO will affect the cutoff frequency.

KBD
This sets the amount of depth that the cutoff frequency will change according to the pitch of the note that is input.

VOLTAGE CONTROLLED AMPLIFIER

A (Attack)
This sets the amount of time from note-on until the attack level is reached.

D (Decay)
This sets the amount of time from when the attack level is reached until the sustain level is reached.

S (Sustain)
This sets the sustain level.

R (Release)
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

LEGATO
This switches the legato on/off.

DELAY

TIME
This sets the delay time.

LEVEL
This sets the delay level.

SPREAD
This sets the width for how far the delay sound will be panned.

MASTER

LEVEL
This sets the output volume.

Chicago

This is a straightforward acid house bass gadget with a shiny silver metal body. It featuresa “Bite” filter that covers the range from classic, “sticky-sounding” synth bass to intensely distorted aggressive sounds. There’s a built-in arpeggiator and multi-effect, so your creations will have plenty of variety.

OSCILLATOR WAVE
This selects the waveform of the oscillator.

GLIDE
This sets the pitch glide speed.

ENVELOPE

ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.

SUSTAIN
This sets the sustain level.

RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

AMPLIFIER ENV/GATE
This selects the envelope source that will produce change in the volume.

LEVEL
This sets the volume.

ARPEGGIATOR

ON
This switches the arpeggiator on/off.

RANGE
This sets the range of octaves where the arpeggio will be played.

MODE
This selects the arpeggio type.

SPEED
This sets the performance speed of the arpeggiator.

FILTER CUTOFF
This sets the cutoff frequency of the filter.

PEAK
This sets the resonance of the filter. This sets the amount of modulation which the EG will use to affect the cutoff frequency.

BITE
This sets the amount of drive for the filter.

GNAW
This gives a unique frequency change to the filter input, changing it to an aggressive sound.

EFFECT

TYPE
This selects the effect type.

EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.

EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.

Phoenix

This polyphonic synthesizer gadget offers classic, vintage design and sound. Its painstaking analog emulation provides analog sound with warmth and presence. This is an all-around synth that you can use for chordal backing, pad sounds, or anything else.

OSCILLATORS

PITCH 1
This sets the pitch of oscillator 1.

PITCH 2
This sets the pitch of oscillator 2.

BALANCE
This adjusts the volume balance of oscillator 1 and oscillator 2.

WAVEFORM 1
This selects the waveform of the oscillator 1.

WAVEFORM 2
This selects the waveform of the oscillator 2.

PULSE WIDTH
This sets the width of pulse wave.

PORTA.
This sets the pitch glide speed.

OSC 2 DETUNE
This sets the detuning for oscillator 2.

FILTER

FREQUENCY
This sets the cutoff frequency of the filter.

RESONANCE
This sets the resonance of the filter.

ENV AMT.
This sets the amount of the modulation produced by using the EG to modulate the cutoff frequency.

KBD AMT.
This sets the amount of depth that the cutoff frequency will change according to the pitch of the note that is input.

ENVELOPES

FILTER ENVELOPE, AMPLIFIER ENVELOPE

ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.

SUSTAIN
This sets the sustain level.

RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

PITCH

BEND RANGE
This sets the pitch bend range.

BEND WHEEL
This sets the pitch bend.

VIBRATO RATE
This sets the vibrato speed.

VIBRATO WHEEL
This sets the depth of the vibrato.

MODULATION

LFO

WAVEFORM
This selects the LFO waveform.

RATE
This sets the LFO speed.

BPM
If this is On, the LFO speed will synchronize to the tempo of the song.

KEY
If this setting is On, the phase of the LFO will be reset at each note-on.

DEPTH

PULSE WIDTH
This sets the depth of the modulation produced by using LFO to modulate the pulse width.

FILTER
This sets the depth of the modulation produced by using LFO to modulate the cutoff frequency of the filter.

AMP
This sets the depth of the modulation produced by using LFO to modulate the volume.

DELAY

LEVEL
This sets the delay level.

TIME
This sets the delay time.

TONE
This sets the tonal character of the delay.

MASTER

LEVEL
This sets the volume.

DETUNE
This sets the amount of detuning when “UNISON” is turned on.

UNISON
This switches the unison on/off.

Miami

This gadget plays the bass sounds that are indispensable for today’s electronic music. It features an “X-MOD” oscillator that generates complex overtones and modulation, and a “CRUSH” filter that adds distinctive noise. “WOBBLE” modulation lets you shift the character to produce a wobble sound evocative of an evil monster, often heard in Brostep and Dubstep.

CARRIER

WAVE
This selects the waveform of the carrier oscillator.

PITCH
This adjusts the pitch produced by the carrier oscillator.

LEVEL
This sets the volume of the carrier oscillator.

SUB
This sets the volume of the sub oscillator.

X-MOD

WAVE
This selects the waveform of the cross-modulation oscillator.

DEPTH
This sets the depth of the cross-modulation.

LEVEL
This sets the volume of the cross-modulation oscillator.

TUNE
This adjusts the pitch produced by the cross-modulation oscillator.

FILTER

CUTOFF
This sets the cutoff frequency of the filter.

CRUSH
This adds a unique texture to the filter.

WOBBLE
This sets the modulation of the filter LFO.

SHAPE
This selects the LFO waveform.

RATE
This sets the LFO speed.

MASTER

STEREO
This adjusts the spread of the output orientation.

GLIDE
This sets the pitch glide speed.

OUTPUT
This sets the volume.

Wolfsburg

This gadget is a collection of distinctive analog synthesizer waveforms that have been resampled using digital technology. It provides two effect units and four modulation matrix systems, and is distinctive for a dynamic and powerful sound that matches its tasteful, black-themed panel layout.

OSCILLATOR 1, 2

WAVEFORM
This selects the waveform of the oscillator.

PITCH
This adjusts the pitch produced by the oscillator.

LEVEL
This sets the volume of the oscillator.

DETUNE
This sets the amount of detuning.

OSCILLATOR COMMON

VOICE MODE
This sets how note will be played.

NOISE
This sets the volume of the noise generator.

OUTPUT
This sets the volume.

PORTAMENTO
This sets the pitch glide speed.

FILTER

FILTER TYPE
This selects the filter type.

CUTOFF
This sets the cutoff frequency of the filter.

RESONANCE
This sets the resonance of the filter.

ENVELOPE
This sets the amount of the modulation to which the EG will affect the cutoff frequency.

AMP

ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.

SUSTAIN
This sets the sustain level.

RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

LOW FREQUENCY OSCILLATOR 1, 2

WAVEFORM
This selects the LFO waveform.

BPM SYNC
If this is On, the LFO speed will synchronize to the tempo of the song.

SPEED
This sets the LFO speed.

KEY SYNC
If this setting is On, the phase of the LFO will be reset at each note-on.

MODULATION ENVELOPE

ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.

SUSTAIN
This sets the sustain level.

RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

MODULATION MATRIX

SOURCE A, B, C, D
This sets the modulation source.

DESTINATION A, B, C, D
This sets the modulation destinations.

AMOUNT A, B, C, D
This sets the amount of the modulation.

EFFECT 1, EFFECT 2

TYPE
This selects the effect type.

EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.

EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.

Brussels

This synthesizer gadget has a simple and carefully considered parameter structure with an intuitive user interface. The thick unison tones that emanate from this futuristic design will give you the lead sounds that you need for any type of electronic music.

PERFORMER

PUMP
This sets the depth of the pumping effect.

REPEAT
This sets the depth of the repeat effect.

GENERATOR

BOTTOM
This sets the volume of the sub oscillator.

GLIDE
This sets the pitch glide speed.

DIFFUSE
This sets the spread of the sound.

FILTER
This sets the cutoff frequency of the filter.

TWIST
This sets the modulation depth for the oscillator.

OUTPUT

LEVEL
This sets the overall volume.

REVERB

TONE
This sets the reverberation tone.

LEVEL
This sets the reverberation level.

Dublin

This is a semi-modular synthesizer gadget with classic, vintage looks. It’s especially good for deep bass sounds. In addition to being capable of straightforward yet deep subtractive synthesis with a plain waveform and filter, it also lets you enjoy a wide range of varying tones by changing the patching.

VCO 1

WAVEFORM
This selects the waveform of oscillator 1.

SHAPE
This sets the pulse width when the WAVEFORM is set to Pulse.

SCALE
This adjusts the pitch produced by oscillator 1, in octaves.

VCO 2

WAVEFORM
This selects the waveform of oscillator 2.

TUNE
This adjusts the pitch produced by the carrier oscillator 2.

SCALE
This sets the pitch produced by the oscillator 2, in octaves.

MIXER

VCO 1
This sets the volume of oscillator 1.

VCO 2
This sets the volume of oscillator 2.

NOISE
This sets the volume of the noise generator.

VCF
CUTOFF
This sets the cutoff frequency of the filter.

PEAK
This sets the resonance of the filter.

KBD AMT
This sets the amount of depth that the cutoff frequency will change according to the pitch of the note that is input.

VCA

ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time it will take for the level to change from the attack level to the sustain level.

SUSTAIN
This sets the sustain level.

RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

KEYBOARD

PORTA
This sets the pitch glide speed.

LEGATO
When this is turned on, each note is played legato when sliding along the keyboard.

MASTER

VOLUME
This sets the volume.

DRIVE
This sets the amount of the output drive.

TONE
This adjusts the tone.

MG 1, MG 2

MG OUT
To connect patch cables and select the modulation destination for the MG (modulation generator).

AMOUNT
This sets the amount of modulation for the MG (Modulation Generator).

WAVEFORM
This selects the waveform of the MG (Modulation Generator).

KEY
If this setting is On, the waveform will be reset at each note-on.

FREQ
This sets the frequency of the waveform.

BPM
If this is On, the frequency of the waveform will synchronize to the tempo of the song.

ENVELOPE GENERATOR

EG OUT
To connect patch cables and select the modulation destination for the EG.

AMOUNT
This sets the amount of modulation for the EG.

ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.

SUSTAIN
This sets the sustain level.

RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

PATCHBAY INPUTS

This sets the modulation destinations for MG1, MG2 and the EG.
Any of the following parameters can be set as the modulation destination.

VCO 1 SHAPE :

VCO 1 & VCO 2 PITCH :

VCO 2 PITCH :

VCO 1 LEVEL :

VCO 2 LEVEL :

NOISE LEVEL :

VCF CUTOFF :

VCA GAIN :

MG1 FREQ :

MG2 FREQ :

Kiev

The yellow body of this synthesizer gadget projects the impression of a secret weapon hidden in an industrial zone. It features “vector synthesis” using four oscillators that generate organic, spacey sounds. Use the touchpad to intuitively control the mysterious “warp” sound that seems to contort space itself.

OSC MORPHER

TOUCH-PAD
This adjusts the volume balance of oscillator A, B, C, and D.

A/B DEPTH
This sets the amount that the volume balance of oscillators A and B are changed.

A/B SPEED
This sets the speed at which the volume balance of oscillators A and B are changed.

C/D DEPTH
This sets the amount that the volume balance of oscillators C and D are changed.

C/D SPEED
This sets the speed at which the volume balance of oscillators C and D are changed.

OSCILLATOR

WAVEFORM A
This selects the waveform of the oscillator A.

WAVEFORM B
This selects the waveform of the oscillator B.

WAVEFORM C
This selects the waveform of the oscillator C.

WAVEFORM D
This selects the waveform of the oscillator D.

PITCH A
This adjusts the pitch of the oscillator A.

PITCH B
This adjusts the pitch of the oscillator B, in half-steps.

PITCH C
This adjusts the pitch of the oscillator C, in half-steps.

PITCH D
This adjusts the pitch of the oscillator D, in half-steps.

TUNE B
This adjusts the pitch of the oscillator B, in semitone-steps (±100 cents).

TUNE C
This adjusts the pitch of the oscillator C, in semitone-steps (±100 cents).

TUNE D
This adjusts the pitch of the oscillator D, in semitone-steps (±100 cents).

FILTER

TYPE
This selects the filter type.

TOUCH-PAD

CUTOFF
This sets the cutoff frequency of the filter.

PEAK
This sets the resonance of the filter.

FILTER ENVELOPE

ENVELOPE
This sets the amount of the modulation which the EG will use to affect the cutoff frequency.

ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.

SUSTAIN
This sets the sustain level.

RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

AMPLIFIER ENVELOPE

ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.

SUSTAIN
This sets the sustain level.

RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

EFFECT

TYPE
This sets the effect type.

EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.

EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.

MASTER

LEVEL
This sets the volume.

Chiangmai

This is a polyphonic synthesizer gadget that features VPM (Variable Phase Modulation) synthesis. With a subdued gold body, this gadget is particularly good at sparkling metallic bell sounds.

OSCILLATORS (1, 2)

LEVEL
This sets the volume of the oscillator.

WAVEFORM
This selects the waveform of the oscillator.

PITCH
This adjusts the pitch produced by the oscillator.

HARMONICS
This sets the frequency of the VPM (Variable Phase Modulation) modulator as a harmonic multiple of oscillator.

DEPTH
This sets the depth of VPM.

ENV
This sets the amount of modulation which the EG will use to affect the depth of the VPM.

FILTER

FREQUENCY
This sets the cutoff frequency of the filter.

RESONANCE
This sets the resonance of the filter.

ENV AMT
This sets the amount of the modulation which the EG will use to affect the cutoff frequency.

KBD AMT
This sets the amount of depth that the cutoff frequency will change according to the pitch of the note that is input.

ENVELOPE (FILTER, AMPLIFIER)

ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.

SUSTAIN
This sets the sustain level.

RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

CHORUS

SPEED
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

DEPTH
This sets the depth of the effect.

DELAY

TIME
This sets the delay time.

LEVEL
This sets the delay level.

OUTPUT

LEVEL
This sets the volume.

Helsinki

This is a pad sound gadget that’s easy to use for genres such as Ambient or Chillwave. The subtle yet deep sound played through lo-fi and reverb effects, conveyed through the floating interface, creates an atmosphere that is both nostalgic and futuristic.

LOFI

FREQ
This sets the roughness of the sound and the frequency of the digital meter.

MIX
This sets the amount of the effect sound mixed with the dry sound.

REVERB

TIME
This sets the reverberation time.

LEVEL
This sets the reverberation level.

OUTPUT
LEVEL
This sets the volume.

GENERATORS

WAVE
This selects the waveform of the oscillator.

LOW
This sets the low range level of the oscillator.

HI
This sets the high range level of the oscillator.

HIGHER
This sets the higher range level of the oscillator.

NOISE
This sets the volume of the noise generator.

FILTER

TYPE
This selects the filter type.

FREQ
This sets the cutoff frequency of the filter.

RESO
This sets the resonance of the filter.

ENVELOPE

A
This sets the amount of time from note-on until the attack level is reached.

D
This sets the amount of time from when the attack level is reached until the sustain level is reached.

S
This sets the sustain level.

R
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

Kingston

This polyphonic synthesizer gadget is optimized for 8-bit game sounds. The timeless waveforms that still exemplify the sounds of a computer are provided in the oscillator section, and there are also “JUMP” and “RUN” functions that make those sounds even more bizarre. You can also use effects to additionally deform the sound.

EDIT

WAVEFORM
This selects the waveform of the oscillator.

TRANSPOSE
This adjusts the pitch of the oscillator.

ENVELOPE

ATTACK
This sets the amount of time from note-on until the attack level is reached.

DECAY
This sets the amount of time from when the attack level is reached until the sustain level is reached.

SUSTAIN
This sets the sustain level.

RELEASE
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

RUN!

TYPE
This selects the run type.

SPEED
This sets the performance speed of the run.

ON/OFF
This switches the run on/off.

JUMP!

HEIGHT
This sets the height of jump.

ON/OFF
This switches the jump on/off.

EFFECT

TYPE
This sets the effect type.

EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.

EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.

LEVEL

LEVEL
This sets the volume.

Kamata

This synthesizer gadget emulates 80s video games by using Wavetable synthesis as a sound source. Based on the NAMCO CUSTOM30 sound generator in their world famous 1980’s arcade games, the sound team of BANDAI NAMCO Studios have reimagined the most popular game sounds and put them into a dedicated Gadget called Kamata. By using the carefully selected parameters for each of the 32 x 4 bit samples in the wavetable, you can design music and sounds that are both nostalgic and new

MASTER VOLUME
This sets the volume.

VALUE
This sets the value of the selected parameter.

PAGE SELECT
This accesses the page.

WAVE BANK
This selects the wavetable.

DETUNE
This sets the amount of detuning.

NOISE
This sets the volume of the noise generator.

AMP ENV

AT (Attack Time)
This sets the amount of time from note-on until the attack level is reached.

DT (Decay Time)
This sets the amount of time from when the attack level is reached until the sustain level is reached.

SL (Sustain Level)
This sets the sustain level.

RT (Release Time)
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

PITCH ENV

AT (Attack Time)
This sets the amount of time from note-on until the attack level is reached.

DT (Decay Time)
This sets the amount of time from when the attack level is reached until the sustain level is reached.

RT (Release Time)
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

SL (Start Level)
This sets the start level.

AL (Attack Level)
This sets the amount of time from note-on until the attack level is reached.

SL (Sustain Level)
This sets the sustain level.

RL (Release Level)
This sets the amount of time that it will take for the level to fall from the sustain level to zero following note-off.

DELAY

TIME
This sets the delay time.

LEVEL
This sets the delay level.

COUNT
This sets the number of times the delay sound is repeated.

REVERB

TIME
This sets the reverb time.

LEVEL
This sets the reverb level.

LFO1-AMP

WAVE
This selects the waveform of the LFO1.

DEPT (Depth)
This sets the depth of the LFO1.

DELT (Delay Time)
This sets the time from note-on until the LFO1 starts.

RATE
This sets the LFO1 speed.

LFO2-PITCH

WAVE
This selects the waveform of the LFO2.

DEPT (Depth)
This sets the depth of the LFO2.

DELT (Delay Time)
This sets the time from note-on until the LFO2.

RATE
This sets the LFO2 speed.

PORTAMENTO

MODE
This switches the mode between Poly/Mono.

TIME
This sets the portamento time.

CONTROL

MOD-WHEEL
This sets the pitch and amp to be controlled with a modulation wheel.

PITCHBEND
This sets the change range for the pitch bend.

Drum Gadget

London

Tokyo

Amsterdam

London

This is a drum sound module gadget designed specifically for dance music. True to its simple, straightforward looks, it instantly gives you a performance-ready drum kit. There are more than 400 samples that will cover your needs for a variety of dance music formats including Electro, Minimal, Dubstep and so on. It also provides three effects that you can use on each part, as well as a master effect.

PART 1...8 EDIT

WAVEFORM
This selects the waveform that will be used by each part.

TUNE
This adjusts the pitch for each part.

TIME
This sets the decay time for each part when TRIGGER is set to ONESHOT.
This sets the release time for each part when TRIGGER is set to GATE.

TRIGGER
This selects the trigger type for each part.

PART 1...8 FX

Punch
This sets an attack-emphasizing effect for the output signal of a part.

Low Boost
This sets the boost for the low range.

REV (Reverse)
This switches the reverse on/off for each part.

MFX (Master Effect Send)
This sets whether or not the sound for the part is sent to the master effect.

PART 1...8 MIXER

Pan
This sets the panning value for each part.

M (Mute)
This determines whether or not the part will sound.

Group
This groups parts. Parts that share the same settings are combined into one group
and the last note is given priority, producing a monophonic sound. This is effective,
for example, when playing with the closed and open sounds of the hi-hat grouped.

LEVEL
This sets the volume for each part.

EFFECT

TYPE
This sets the effect type.

EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.

EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.

MASTER

LEVEL
全体の音量を設定します。

Tokyo

This is a drum gadget that collects four compact analog-type drum sound modules into a single package. Each module gives you parameters that are tuned respectively to kick, snare, tom and percussion sounds, allowing you to experience the distinctive enjoyment of creating sound with analog modules.

BD201

WAVE
This selects the waveform.

TUNE
This sets the pitch.

DECAY
This sets the length of the sound.

BEND
This sets the amount of bend.

BOOST
This sets the amount of low boost.

LEVEL
This sets the volume.

PAN
This sets the paning value.

SD302

TUNE
This sets the pitch.

DECAY
This sets the length of the sound.

NOISE
This sets the tonal character and modulation of the noise.

SNAPPY
This sets the amount of noise in the snare.

PUNCH
This emphasizes the attack.

LEVEL
This sets the volume.

PAN
This sets the paning value.

TOM404

TUNE
This sets the pitch.

DECAY
This sets the length of the sound.

BEND
This sets the amount of bend.

NOISE
This sets the amount of noise.

LEVEL
This sets the volume.

PAN
This sets the paning value.

PCS503

TUNE
This sets the pitch.

DECAY
This sets the length of the sound.

SHAPE
This selects the modulation type.

DEPTH
This sets the modulation depth.

SPEED
This sets the modulation speed.

LEVEL
This sets the volume.

PAN
This sets the paning value.

Amsterdam

With the beefy looks of a gold body sporting chrome knobs, this is a four-part PCM sound module gadget containing more than one hundred sound effects that give impact to your song, including one-shot sounds, synth sounds, and scratches. It also contains numerous chord samples, allowing you to create chord progressions as if you were assembling a collage.

PART 1...4

LEVEL
This sets the volume for each part.

PAN
This sets the panning value for each part.

WAVE
This selects the waveform for each part.

TUNE
This sets pitch for each part.

TIME
This sets the decay time for each part.

EG MODE
This sets the decay time for each part.

FX SEND
This switches the send on/off for effect.

REVERSE
This switches the wave plays in reverse.

EFFECT

TYPE
This selects the effect type

EDIT 1
The parameter that’s controlled by this knob will depend on the effect type.

EDIT 2
The parameter that’s controlled by this knob will depend on the effect type.

MASTER

MASTER
This sets the overall volume.